ACADEMIC PUBLICATIONS
“The Multifaceted Politics of Primitivism in Harlem Renaissance Writing.” Soundings: An Interdisciplinary Journal 80.4 (Winter 1997): 401-23. Special Harlem Renaissance issue.
Rev. of What Else But Love?: The Ordeal of Race in Faulkner and Morrison, by Philip M. Weinstein. MELUS (journal of the Society for the Study of Multi-Ethnic Literature of the United States) 24.2 (Summer 1999): 192-4.
With Nellie McKay. “African American Prose Writers.” Women’s Studies Encyclopedia. Rev. and exp. Helen Tierney. Westport, CT: Greenwood Press, 1999. 49-52.
“Yearning: Race. Gender, and Cultural Politics (1990): Essay Collection by Bell Hooks.” Entry in The African American Encyclopedia. Supplement. New York: Marshall Cavendish, 1996.
“Avenging Angel: Tragedy and Womanhood in Julia Ward Howe’s The World’s Own.” Legacy: A Journal of American Women Writers 12.2 (1995): 23-36.
“Teaching in the Promised Land: Ideals and Limits in Feminist Pedagogy.” Rev. of Teaching to Transgress, by Bell Hooks, and The Feminist Classroom, by Frances A. Maher and Mary Kay Thompson Tetreault.” Feminist Collections: A Quarterly of Women’s Studies Resources 17.1 (Fall 1995): 5-7.
OTHER PUBLICATIONS
“Chaos and Composition” [creative nonfiction]. Amoskeag 23.1 (Spring 2006): 7-9.
Rev. of Critical Gestures: Writings on Dance and Culture, by Ann Daly. Ms. Summer 2003: 91-92.
“Confessions of a Scrounging Scholar.” The Chronicle of Higher Education. May 18, 2001: B5.
Rev. of Crossing: A Memoir, by Deirdre McCloskey. World: The Journal of the Unitarian Universalist Association 14.4 (July/August 2000): 44-5.
“Stranger in a Strange Land: Teaching Literature in a Creative Writing Program.” Beacon Street Review. Spring 2000.
“The Story of Her Own Life: Two Historical Novels with Unitarian Heroines.” World: The Journal of the Unitarian Universalist Association. 14.3 (May/June 2000): 28-33.
ACADEMIC PAPERS
“Jamaica Kincaid’s The Autobiography of My Mother and the Limits of Feminist Criticism.” Midwestern Conference on Film, Language, and Literature. University of Northern Illinois. DeKalb, IL, March 1999.
“Directions in Multicultural Modernist Studies: Scenes of ‘Facing’ in Kumtlerromane by H.D. and Nella Larsen.” Twentieth-Century Literature Conference. University of Louisville. Louisville, KY, February, 1996.
“Multicultural Modernism and the Resistance of Primitivism: The Case of Home to Harlem.” Harvard University. Cambridge, MA, January, 1996.
“Resisting Primitivism: Race, Gender, and Power in Modernism and the Harlem Renaissance.” Modern Language Association. Chicago, December, 1995.
“Reconstructive and Deconstructive Impulses in Feminist Thought: Female Identity in Audre Lorde’s Zami: A New Spelling of My Name.” Virginia Polytechnic Institute and State University. Blacksburg, VA, May, 1995.
“Africa, Maternity, and Primitivist Discourse.” Midwest Modern Language Association. Chicago, Nov., 1994.
“Whose Laugh Is It Anyway?: Race, Gender, and Primitivism in Sherwood Anderson’s Dark Laughter.” Midwest Modern Language Association. Chicago, November, 1994.
“Avenging Angel: Feminist Readings of Julia Ward Howe’s The World’s Own.” Invited Speaker. Dramaturgy Colloquium, School of Theatre, Florida State University. Tallahassee, October, 1994.
“Avenging Angel: Tragedy, Womanhood, and Representation in Julia Ward Howe’s The World’s Own.” Midwest Modern Language Association. Minneapolis, MN, November, 1993.
“Negotiating Ideologies in the Oppositional Primitivism of Claude McKay’s Home to Harlem.” Twentieth-Century Literature Conference. University of Louisville, Louisville, KY, February, 1993.
“Thimble of Everything’: Experimental Lesbian Aesthetics in a Steinian Poem-Portrait.” Midwest Modern Language Association. Chicago, November, 1991.
“Postmodernism and Feminism in Gabrielle Burton’s Heartbreak Hotel.” University of Wisconsin-System Women’s Studies Conference. Whitewater, WI, October, 1990.
“‘Give Virgin Lips to Cornfield Concubines’: Voiceless Women and Virgin Artists in Part One of Jean Toomer’s Cane.” Midwest Feminist Graduate Students’Conference. Madison, WI, February, 1990.
