The Krebs Center for the Humanities is the convener of a $1.2 million grant from the Mellon Foundation for the HUMAN (Humanities Understanding of the Machine-Assisted Nexus) project.
![Mellon Foundation logo](/Public/HUMAN_grant/mellon_logo.png)
About the grant
This multi-year initiative aims to explore artificial intelligence through a humanities perspective, equipping students with the skills to ethically integrate AI into their professional lives with an emphasis on equity and justice. HUMAN explores what it means to be human in the age of AI by engaging an interdisciplinary group of humanities faculty fellows who, in partnership with Chicago-based organizations, are developing new courses, digital humanities research projects, seminars, publications, artist residencies, and other means for students to gain a broad understanding of the role that the humanities should play in public policy, cultural preservation, and community education in an AI-inflected world. HUMAN addresses the urgent need for an informed understanding of the interplay between the humanities and the fast-evolving realm of artificial intelligence to ensure ethical developments, promote equitable technological advancement, and nurture meaningful human-AI collaboration.
HUMAN builds on previous Mellon-funded initiatives at the College, including Digital Chicago (2013-2017) and Humanities 2020 (2018-2023).
As the nation’s largest funder of the arts/culture and humanities in higher education, the Mellon Foundation has made this grant to Lake Forest as part of their invitation-based Humanities for All Times initiative.
Learn about applying for a HUMAN Residency at Ragdale
Our community partners
HUMAN Fellows
The HUMAN Fellows program, funded by the HUMAN grant, is an exciting opportunity for scholars to explore the intersection of humanities and artificial intelligence (AI) through a lens of equity and justice. The program recognizes the potential for unchecked AI to exacerbate social inequities and disproportionately impact marginalized populations and seeks to address these concerns by supporting projects that engage in humanistic practices while deploying AI technologies.
Each year, up to seven HUMAN Fellows will be selected to propose either a new “AI and humanities” project or work on an existing HUMAN project.
HUMAN sponsored courses
Each year, HUMAN sponsors courses in the Lake Forest College curriculum that engage directly with issues of AI ethics. These courses explore the complex relationship between the humanistic tradition and artificial intelligence, focusing on how AI can exacerbate and mitigate existing social inequalities. By integrating practical skills with ethical inquiry, students learn to critically analyze the social justice implications of AI technologies and consider how the humanities can help guide the ethical development and equitable advancement of AI. For 24-25, we will offer 14 sections, with 5 in the First-Year Studies Program.
First Year Studies courses
This course introduces the discipline of archaeology by exploring the city of Chicago, using it to discuss and to engage with the social complexity found in the urban U.S. Archaeology, a disciplinary subfield of anthropology, considers the material traces of human behaviors. Historical archaeological research looks at the complex interrelation of materiality with the documentary record, revealing everyday experiences and social relations and can challenge dominant narratives. Through the lens of archaeology, including recent AI-aided technologies for data visualization and reconstruction, we explore Chicago as a key site within a precontact trail system, its place as a multicultural fur trade entrepôt, the attention from the 1893 World's Columbian Exposition, and its current preeminence as a global city. Readings cover foundational concepts in archaeology; an introduction to historical archaeology; historical background on Chicago; and recent examples of analysis, interpretation, and broader dissemination through AI-aided technologies. (Under the Forester Fundamental Curriculum, this course meets the First Year Studies requirement.)
This course explores the development of cyberspace, the migration of human activity to its digital platforms, and the emergence of Artificial Intelligence (AI) as the "first intelligent creations" that reside entirely in a digital space. We will explore new and pressing questions about human identity and the necessary responses caused by AI's rapid advancement. The course will tackle the complexities arising from AI's growing influence in the real world, including a range of emerging issues, regulatory concerns, and policy-making challenges. We will trace the historical trajectory of generative AI, from its science fiction roots to its connections to remix culture and social media. We will explore everything from advanced deep learning technologies to the creation of AI-generated content and the development of AI as a potential companion for humans. We will highlight the ethical challenges posed by these technologies, with emphasis on equal access to computational resources and inherent biases in AI datasets. (Under the Forester Fundamental Curriculum, this course meets the First Year Studies requirement.)
"Voices of Leadership" invites students on a journey through perspectives of leadership ranging from mythic tales of an ancient Botswanan village to reports from leaders and thinkers from the contemporary United States. Students examine topics such as diverse leadership styles, the intersection of ethics and power, and the ethical and human challenges facing today's emerging leaders in the age of artificial intelligence (including questions of data bias social impact). The seminar fosters critical thinking and nuanced understanding of leadership in different contexts, encouraging students to engage with the material both in individual assignments and group activities. Students develop their own leadership voices, equipped to apply their insights in their own lives.
What do the arts contribute to mathematics? How does STEM find a home in the theater? In this course, we investigate the value that each of these domains brings to the other, the overlap between them, and the blank spaces waiting to be filled by the next generation of artists and mathematicians. Students read plays and watch performances incorporating mathematical concepts and history, meet with professionals whose work exists at the intersections of arts and science, and learn how artists can help us make sense of scientific data – and vice versa. In addition, the course will explore Artificial Intelligence and the theater, with emphasis on "algorithmic theater" and large language models such as ChatGPT. (Under the Forester Fundamental Curriculum, this course meets the First Year Studies requirement.)
Additional courses offered in the 2024–25 academic year
This course examines the rise of Artificial Intelligence (AI) as a phenomenon that interweaves the persuasive power of rhetoric with the transformative influence of modern media. We examine how AI can influence public opinion and shape political discourse, recognizing its role in redefining how media content is produced, distributed, and consumed. Students explore the ethical and regulatory challenges posed by AI through the disciplines of rhetoric and media studies. By embracing this integrated perspective, students develop a comprehensive understanding of AI's dual role as both a medium and a subject of public discourse. By examining topics such as algorithm-driven newsfeeds, targeted marketing, virtual news anchors, deepfakes, and misinformation, students gain a more nuanced view of the relationship among AI, communication, and their broader societal context. Prerequisite: COMM 255, or another 200-level Communication course approved by the Department Chair, or permission of instructor
This course explores representations of Artificial Intelligence in post-1900 American literature and culture. Students engage with various depictions of AI—from embodied androids and cyborgs to non-embodied computer systems and networked intelligence—and engage with relevant critical readings. The course examines how these texts reflect, critique, and speculate upon the evolving relationship between humans and AI. Key themes include the ethical implications of AI, the nature of consciousness/sentience in textual representation, the impact of AI technology on identity and society, and the potential for algorithmic bias and social control. Through a blend of textual analysis, class discussions, and research projects—as well as the student use of AI in their class projects to achieve the FFC Technology Tag—students critically examine how cultural texts mirror AI technology while influencing its development and perception.
(Interrogating the Ecology of Place: From Generative AI to Regenerative Neighborhood Development) This course explores the nexus of Sweet Water Foundation’s (SWF) practice of Regenerative Neighborhood Development (RND) and emerging artificial intelligence (AI) technologies. RND’s social justice methods transform the urban ecology of neighborhoods long subjected to disinvestment and discriminatory policies, embodying the idea that only through proximity to the ecology of a particular place - its land, people, and flows across seasons - can one acquire the knowledge required to design interventions capable of sustained impact. AI, by contrast, is almost wholly detached from these specific ecologies of place. But how might AI tools be used critically and strategically to foster protopian rather than utopian visions, staying connected to environmental realities and a community’s lived experience and needs? This course features significant hands-on field-based work, both on campus and at SWF’s bio-dynamic campus, known as The Commonwealth, on Chicago’s South Side. Co-taught with SWF leadership and team members. Prerequisite: Junior Standing
(Decoding the Feminine: 'Artificial' Intelligence, Robots, and Gender) With recent A.I. progress (artificial intelligence or machine learning) and technological advancements, the gap between reality and fiction has shrunk significantly; yet, from Villiers de l’Isle-Adam’s Future Eve (1886) to Alex Garland’s Ex Machina (2014), A.I and robots have long been represented in literature and films as women. Does science fiction only dream of female A.I. and robots? Why? This course analyzes how global literature and cinema have imagined the future of technology and the intersectionality of A.I., robots, and gender. Adopting a feminist and posthumanist approach, students examine how A.I. and technology are reshaping what it means to be human, and discuss social, political, and ethical considerations in both reality and fiction. Even if originally published in other languages, all texts and films will be available in English or with English subtitles.
(Language Learning, Teaching, and AI Collaboration) This course offers a comprehensive exploration of language as a system, encompassing research findings on language learning and teaching, along with insights into the collaborative integration of AI in the classroom. Students investigate the subfields of linguistics, such as phonology, morphology, semantics, syntax, discourse and pragmatics, language acquisition, second-language research methods, and language pedagogy. This course is about how to use language acquisition research and generalizations derived from it to inform teaching practices and materials design. Those considering teaching in the future can reflect on how to apply both the emerging and ongoing developments, research, and trends, such as translanguaging pedagogy, TPR storytelling pedagogy in the field to classroom instruction. Furthermore, the course explores the intersection of education and artificial intelligence, fostering discussions on the role of AI in language learning with attention to questions of bias and equitable learning opportunity. While this course is particularly designed for students interested in investigating the most effective methods for language instruction, it is also geared to raise awareness of how languages are both taught and ascertained. No prerequisites. (Under the Forester Fundamental Curriculum, this course meets the Humanities and Technology requirements. Under the old GEC, this course meets the Cultural Diversity requirement.)
cross listed: EDUC 300
(The Humanist Ethics of Artificial Intelligence) This course is designed to equip students with the knowledge and skills necessary to work effectively with AI in their future careers. It emphasizes the ethical development of AI, the advancement of technology in a manner that is equitable and just, and the importance of fostering meaningful collaborations between humans and AI systems. The curriculum delves into the relationship between AI and the humanistic tradition, drawing from interdisciplinary sources that focus on historical and practical questions, with a strong emphasis on ethics, justice, and fairness. The course explores questions of bias and safety in AI as those issues are connected to the humanist tradition. This course meets the Forester Fundamental technology skills requirement, and students directly use AI technology for a significant portion of their coursework.
This class examines how science fiction has addressed the deeply religious questions of what is means to be a person, and the nature of the self, consciousness, and the supernatural. Given the recent rise of A.I. (artificial intelligence) technology, we pay particular attention to how the genre understands the human and our relationship to the non-human and the trans-human: the A.I., the robot, the alien, the divine, and the monster. We consider this relationship in terms of the central concerns of religion, from ethics and philosophy, to fears about an A.I. apocalypse, to the nature of the soul. In class we analyze diverse science fiction and speculative fiction (types of media, time periods, cultures), and utilize A.I. and other software in projects.
(Migrating Scenes: Artificial Intelligence, Imagination, and Migration in Spain and Latin America.) This course examines migration through cultural productions and new technologies to analyze how resilience, imagination, and human connection shape immigrants’ experiences, welfare, and futures. Course materials include graphic novels, film, theater, fiction/narrative, visual art, and memoir. Alongside these, students research current events and explore how Artificial Intelligence is impacting the experiences of migrants and policy debates about immigration. Key questions include: How is AI is being harnessed globally to analyze migration trends, make migratory projections, and develop infrastructure in immigrant-welcoming communities? How are immigrants using chatbots and other AI technologies to facilitate their migration and integration efforts? How can AI cultivate a more humane, ethical approach to migrants worldwide? The course is conducted in Spanish and is structured along a variety of migration trajectories connected to Spain and/or Latin America. Course goals include a comparative, critical understanding of migration as a dynamic, global experience of crisis, resilience, and cultural transformation whose future is deeply tied to AI technologies. Prerequisite: One higher 200-level Spanish course (above SPAN 212), placement exam recommendation, or permission of instructor. (Under the Forester Fundamental Curriculum, this course meets the Global Perspectives and Writing requirements.)
cross listed: LNAM 385
Meet the team
Composed of an interdisciplinary group of Lake Forest College faculty, the HUMAN PI, HUMAN Project Directors, and HUMAN Grant steering work to ensure the success of the grant’s many activities. With expertise from across the humanities, this distinguished group of teachers and scholars support the success of the HUMAN project.
Davis Schneiderman – HUMAN Principal Investigator
Executive Director of the Krebs Center for the Humanities and Professor of English
Rachel Whidden – HUMAN Project Director
Associate Professor of Communication
Ben Zeller – HUMAN Project Director
Professor of Religion
Roshni Patel – HUMAN Book Club Convener
Assistant Professor of Philisophy
HUMAN Steering Committee
Daw-Nay Evans
Associate Professor of Philosophy and African American Studies
Kim Hazlett
Director of the Library
Justin Kee
Instructor of Politics and Philosophy
Brian McCammack
Associate Professor of Environmental Studies
David Sanchez-Burr
Associate Professor of Art
Tessa Sermet
Assistant Professor of French